『s到達者作家師失人奥義の深淵の術理の世界~ Do you know the secret art?~』
008化勁(かけい)明勁(めいけい)暗勁(あんけい)について About Chemical Power, Bright Power, and Dark Power
008化勁(かけい)明勁(めいけい)暗勁(あんけい)について About Chemical Power, Bright Power, and Dark Power
海外の皆様日本語の文章の後に英語訳があります
そして奥義だからと長々とは語りません
大半が四千文字程度か以下一つ五分十分もあれば十分
For those of you overseas, there is an English translation after the Japanese text. And because it is a secret, I won't go into detail. Most are around 4,000 characters, and one under 5 minutes will be enough
008化勁(かけい)明勁(めいけい)暗勁(あんけい)について
「さて前前回は勁全種といったが調べてみると勁とはイメージをともない勁として体で使う力の総称のようなので
その中でも謎めいた三つの勁の術理でも語ろう
まず化勁(かけい)から簡単に言えば防御のための勁
有名なところなら漫画史上最強の弟子ケンイチに登場する
敵の攻撃に対して腕を回転させ、受け止めるのではなく、丸い棒の上を転がるように、コロの原理で攻撃に逆らわず受け流す防御技術
サイト史上最強の弟子ケンイチの登場武術・技 中国武術 化勁より抜粋
簡単に言えば相手の力を体の動きや回転により分散する技とてとらえられているだろう
しかしそれだと説明のつかないシーンも存在する主人公ケンイチの師の一人にして中国武術の達人である馬 剣星(ば けんせい)の棒立ちで中国武術を鍛錬する腕自慢も猛者三人の攻撃を三発攻撃を受け弾き返し何事もなく戦いを収めたシーン
あれは紛れもない化勁でなくては説明はつかない
そう聞くと多くのものは先ほどの化勁の理屈からその場から一切動かず構えることもなく棒立ちでどう攻撃を化勁で受け流し散らすことができるのだあれは創作の中の世界と誰しも口をそろえて言うだろう
それは中国武術を習い化勁を知るものとて同じことだろう
だが理論上は可能だ
そもそもなぜ化勁で攻撃の威力を減らせるのかそれは動きによる力の分散と攻撃を受けつつも体勢を崩さない適度な打力による体の衝撃の吸収にある
相手が自分より強い攻撃を受けるなら真正面から立ち向かい耐えても返しても力に押しつぶされるこの世の摂理といえよう
故に真正面からは力に立ち向かわず受ける力を散らし吸収するからこそ明らかな強者の攻撃に耐えることがてきる
そうくるとますますこれを見たものは混乱することだろう何故なら馬 剣星はその場で動かず構えず棒立ちで腕自慢の物さん人の攻撃三発を受け何事もなく化勁のみで戦いを収めたのだからどう見ても脱力しだけで攻撃の威力を散らしているとはとても見えないからだ
だが実際かれの体内では化勁による力の分散は行われている
そもそもなぜ人間は殴られてダメージを受けるのか?
簡単なところでは受ける側の耐久値を超えている力がくわわるからだ
つまり耐久値さえ超えなければどんなダメージも傷として食らわないということだ
となると馬 剣星の耐久値が異常に高いと勘違いする者もあるだろうが確かに鍛えれば体の耐久値は上がる
しかし馬 剣星は体格などに恵まれていない身長158cm。体重53kgの小男だ
そんなものがいくら鍛えても生物としての硬度などたかが知れている
だからこその技化勁なのだ
つまりどんな一撃を食らってもその力を散らし吸収してしまえばいいのだ
そうすれはダメージは大幅に下がる
さてそうなると方法は体内でそれを行うしかない
当然刃物など外的損傷を与えるものは衝撃威力は軽減できても体の損傷は当たりどころによっては防ぐことはできない
これは腕足とか鈍器の一撃の話であると頭に入れておいてほしい
でばとうやって動かず構えず棒立ちで化勁を行いダメージを大幅に減らすか
それは受ける力を体に受けとめ循環し攻撃を受けた部分に己の力の力として変換し補強すればいい
どんな力も全て吸収散らし体の中で循環し全身にその力変換し己の体の力に補強できれば理論上ダメージは大幅に減らすことができる
ただしそのためには体の力の本質を意識か無意識化で知らなくてはいけない
この技は自然な形に受けた力を吸収し循環しないといけない
そうしないと不自然に力を吸収し不自然に循環など試みればただダメージが増すだけだ
それにただ吸収循環すればいいわけでもない当然循環にふさわしくない不純物物は循環の際リスクがあるのて散らし体外に出さなくてはいけない
それは足なりてなり空中なりやり方はそれなりにある
自然な形に吸収した力を体内に循環させ己の力とて変換し体へ補強するから相手の大きな力を体内に循環させ己の力とて変換し体へ補強しても不具合が起きないわけだ
そしてこの馬 剣星の化勁の理屈は作中のシーンから私が解釈した公式設定ではないと覚えておいてほしい
そしてこれは松江名俊先生公式設定ではなく
私が松江名俊先生の史上最強の弟子ケンイチをみて解析した私的な解釈だ
そのため松江名俊先生と意見とは違うかもしれない
これはノンフィクションとしている以上松江名俊先生に何か言われれば消すのがマナーである
その体得は中国武術なら馬歩などの立禅が有名なところだろう
立禅最大の利点は動かないからこそ自分の体で常に行われている力を感覚で知れることだろう
基礎にして根源たる力を無意識といえ認知するどんな鍛錬よりも深く応用力が高い力といえる
ただ習得までには相当な時間を要し才覚やり方意識に置きでどれほどやれば体得できるかは個人によって違い
やり方意識の持ち方によっては一生体得できない技の一つ
しかし意識持ち方とやり方さえ間違えなけれは時間さえかければ多くのものがえらる可能性がある技といえる
私のようにそれを意識的に行い頭と感覚て理解するなど本来あり得ない絵空事といえよう
こんな何十年もかけて習得する技を短期間で習得する近道は巷には存在していない
そのためこの技はかなり高度な技で人体の力の流れと法則を知らぬものが試みても受けた力を自然な形に循環できず体に攻撃の威力と重ね掛けてさらなるダメージを食らうだげた
そして前の寸勁で忘れていたが普通のものは呼吸法による勁の威力の底上げも重要となってくる
当然化勁も同じだろうが私が元師から習った武術とは違う道の指導ではその道なら誰しも重要視する呼吸にする力の高め方は一切行っていない
これは特別な呼吸という不自然な力の高め方はやりすぎれば体の調和を乱し体とエネルギーを害すからだろう
確かに武術で強くなるために特別な呼吸による底上げは間違っててはいないだろう
それを常態化し常に力の底上げを行い武の道に生きるなら選択肢の一つだ
しかし私はその道を行くつもりは今のところないよつて呼吸法は重要視せず
自然の呼吸でこれら学んだことを試すだけだ
要は呼吸法が強さの底上げのためなら何も特別である必要はない自然な呼吸にひと工夫加えれば自然な呼吸で武術としての力の底上げをする呼吸も可能だろう
そうしなくてはこの力の理解による力の循環に不具合が出るだけこれは自然に力の流れ法則に沿い体内で循環し体を補強するから普通なら怪我かねない強い力を受けてもダメージを大幅に減らせるからだ
これが武術としての学びなら武術形式をとるのが自然の流れしかし私ぱ武の道の者として会得していない
ならば武術形式で力の底上げをするのは不自然といえるだろう
故に私は特別な呼吸を重要視しない
さて次は明勁(めいけい)について簡単に言えば勁を放ったとわかる一撃のことだ
以上これは勁として威力を持たさられているなら当たれば誰でもわかる
これは暗勁と交互に使うのが戦略としての勁の使い方の一つだ
さて暗勁(あんけい)とは何か簡単に言えば勁をうたれたと気づかれない勁の一撃
わかりやすいところなら一撃をもらても大したダメージはないが実は勁を放っていた状態
そんなものが何の役に立つのか?
わかりやすいたとえなら暗勁とは勁としてダメージを受けていると悟らせず攻撃を当てた際その攻撃ダメージを増加させる補助スキルのようなものだ
現実で考えれば相当怖い攻撃といえる大して効いていない攻撃と思い込んでいても体には自分が気づかない確かなダメージがありそこ攻撃を受けると暗勁で気づかないレベルのダメージで防御力が落ちているためダメージが増加し暗勁を受けるほど本人は気づかずのウイークポイントは増え続けて同じところに暗勁を受けらればさらにそこはもろくダメージを食らいやすくなる
暗勁の存在を知らなれば対策すら難しい
そしてダメージは明勁ほど感じないダメージ増加の暗勁と威力重視明勁この混同の応酬相手は立ち会うものがどんな技でこんなことをしているか知識ない者なら予想さえでききないだろう
流石に暗勁にいては打ち方やイメージ法は何となく想像できるがくわしくはよくわからないしこんなことは普通教えてはいけない危険物であるためこれ以上は語らないこととする
すまないが浸透勁について知りたいなら他を当たってくれこんなはいくらでの世に出回っている
その中で真実を見向く目もその道を志す者の資質としいえる
そして何度も言うが私は作家志望でこのような術理と仕組みを理解しているだけで私かできると保証するものではない
それに会得して数日しかないこのような高度の技すぐに使えたら苦労はしない
それに私は腕比べには今のところ興味はない
よって体得してもどの程度なのかは私でもわからない
何があっても生き残れる可能性を増やす技であるためある程度は物にはするがどこまでとは私でもわからない
では失礼する
次にいつ会うかは私の学びと気分次第だ
さていい感じに学び高めた力多方面の力のアウトプットが進んできている
これでもまだまだ先があるのか道は長く深淵だ
私はどのような深淵に落ちるのかある意味楽しみではある
こんなこと学んでいたら昇るのではなく落ちると表現することが最適
こんなもん沢山学んで上り詰めるなんて生易しい表現ではなく落ちて当たり前のように深淵に至る
そしてそこに生まれついての才能がないゆえに得た技と学びで努力し深淵に至ろうとしている
こんなの創作なら都合いいスキルでも貰わないと不可能
しかし私は全て自分一人で勝ち取り用立てた
彼らのようにずるは一切していない
全く後ろめたくない気分のいい力
創作の世界の主人公よく他人の借り物でどや顔でひゃっはーとはじけられるものだ
私なら後ろめたくてひそかに活躍する
現実において己の強い力の価値と意味を知らない者は破滅するのが世の理といえよう」
パタン教壇に広げた資料をとじる
「今回はこれくらいにしよう」
そしてこれから先は内容は同じ海外向けの英訳となる
008 About Kakei, Meikei, and Ankei
"Well, last time I said all kinds of kei, but after looking it up, it seems that kei is a general term for the power used in the body with an image, so let's talk about the theory behind the three mysterious kei. First, Kakei, simply put, is a kei for defense. A famous example is the manga Kenichi: The Mightiest Disciple. Instead of rotating your arm to block the enemy's attack, you roll on a round stick, using the principle of a roller to deflect the attack without resisting it. Excerpt from Martial Arts and Techniques Appearing in Kenichi: The Mightiest Disciple, Chinese Martial Arts, Kakei. Simply put, it is a technique that disperses the opponent's power through the movement and rotation of the body. However, there are also scenes that cannot be explained by that. One of the protagonist Kenichi's teachers and a master of Chinese martial arts, Ma Jianxing, A scene where a man who is proud of his Chinese martial arts training stands still with his body in a straight line and deflects three attacks from three fierce warriors, ending the fight without incident. That can only be explained by the power of magic. Hearing this, many would say that, based on the logic of magic mentioned earlier, how could someone who stands still without moving or preparing to move from the spot deflect attacks with magic? That is a world of fiction. It is the same for those who have studied Chinese martial arts and know magic. However, in theory, it is possible. But why can the power of an attack be reduced with Ka-Ken in the first place? It is because of the dispersion of the force through movement and the absorption of the impact on the body through a moderate strike force that does not lose one's balance while receiving the attack. If an opponent is attacked by someone stronger than oneself, one must face the attack head on, withstand it, or even return it, but be crushed by the force. This is the law of the world. Therefore, by not facing the force head on, but dispersing and absorbing the force one receives, it is possible to withstand an attack from an obviously strong opponent. This is sure to confuse anyone who sees this, because the horse Kensei stood there motionless and unprepared, receiving three attacks from a man boasting about his strength, and ended the fight without incident, using only his ka-ken, so no matter how you look at it, it doesn't look like he's just relaxing and dispersing the power of the attacks.
But in fact, the power is being dispersed by ka-ken inside his body.
Why do humans take damage when they are punched in the first place?
The simplest case is that the force exceeds the durability of the person receiving the punch.
In other words, as long as it doesn't exceed the durability, no damage will be taken as a wound.
Some people may mistakenly think that Uma Kensei's durability is abnormally high, but it is true that if you train, your body's durability will increase.
However, Uma Kensei is not blessed with a good physique, being only 158cm tall. He's a small man weighing 53kg. No matter how much he trains, his biological hardness is limited. That's why he uses the technique Ka-kei. In other words, no matter what blow he receives, he can disperse and absorb the force. That way, the damage will be greatly reduced. Now, the only way to do it is to do it inside the body. Of course, the impact power of external damage such as knives can be reduced, but damage to the body cannot be prevented depending on the point of impact. Please keep in mind that this is about blows from arms, legs, or blunt objects. So, can you do it like Batou, standing still and not taking a stance, and use Ka-kei to greatly reduce damage? That is, you can receive the force you receive, circulate it through your body, and convert it into your own power and reinforce the part that was attacked. All force can be absorbed, dispersed, circulated within the body, and the whole body can be used. If you can convert that power and reinforce it with your own body's power, then theoretically you can greatly reduce the damage.
However, to do that you must be aware of the true nature of your body's power, whether consciously or unconsciously.
This technique requires you to absorb and circulate the power you receive in a natural way. Otherwise, if you try to absorb power unnaturally and circulate it unnaturally, the damage will only increase.
And it's not enough to just absorb and circulate it. Of course, impurities that are not suitable for circulation have risks when circulating, so they must be dispersed and expelled from the body.
There are ways to do this, whether it's with your feet or in the air.
The power absorbed in a natural way is circulated within the body, converted into your own power, and reinforced to the body, so there is no problem even if you circulate the opponent's large power within your body, convert it into your own power, and reinforce it to your body.
And this horse Please remember that the theory behind Kensei's Ka-jin is not an official setting that I interpreted from a scene in the story. And this is not an official setting by Matsuena Shun-sensei. It is my personal interpretation that I analyzed after watching Matsuena Shun-sensei's Kenichi: The Strongest Disciple in History. Therefore, my opinion may differ from that of Matsuena Shun-sensei. Since this is non-fiction, it is good manners to delete it if Matsuena Shun-sensei says anything. In Chinese martial arts, the famous standing meditation such as horse stance is a good way to master this. The greatest advantage of standing meditation is that you can feel the power that is constantly being performed by your body because you are not moving. It is a power that is deeper and has higher application than any other training, as it unconsciously recognizes the fundamental power. However, it takes a considerable amount of time to master it, and depending on your talent, method, and awareness, how much you need to do to master it will vary from person to person. Differences
It's one of those techniques that you can never master in your lifetime, depending on how you think about it.
However, if you're aware of it and how you do it, it's a technique that can be gained a lot if you take the time.
It's impossible to do it consciously like I did, and understand it with your head and senses.
There are no shortcuts to master a technique that takes decades to learn in a short period of time.
Therefore, this technique is quite advanced, and even if someone who doesn't know the flow and laws of power in the human body tries it, they will not be able to circulate the power they receive in a natural form, and will overlap the power of the attack on their body, causing further damage.
And I forgot about the previous sunkei, but for normal ones, it's also important to increase the power of the kei using breathing techniques.
Of course, the same goes for kakei, but in the teaching of a different path from the martial arts I learned from my former teacher, everyone in that path will place importance on I have not tried any breathing techniques to improve my strength. This is because if you do too much unnatural breathing, it will disrupt the harmony of your body and harm your body and energy. It is certainly not wrong to use special breathing to improve your strength in martial arts. If you make it a habit and always improve your strength, it is one option if you live the way of the martial arts. However, I do not intend to go that route at the moment, so I do not attach importance to breathing techniques. I just try out what I have learned with natural breathing. In short, if the breathing techniques are to improve your strength, they do not need to be special. If you add a little ingenuity to natural breathing, it will be possible to use natural breathing to improve your strength as a martial art. If you do not do this, there will only be problems with the circulation of force due to the understanding of this force. This is a natural flow of force that circulates within the body and reinforces the body. This is because even if you receive a strong force that would normally cause injury, the damage is greatly reduced.
If this is to be learned as a martial art, it is natural to take the martial arts form, but I have not mastered it as a martial arts practitioner.
So it would be unnatural to improve your strength using a martial arts form.
Therefore, I do not place importance on special breathing.
Now, next is about Meikei. Simply put, it is a blow that you can tell is a jin.
As mentioned above, if it has the power of jin, anyone can tell if it hits.
One way to use jin as a strategy is to alternate this with Ankei.
Now, what is Ankei? Simply put, it is a jin blow that you do not realize you have been hit with.
To put it simply, it is a blow of jin that does not cause much damage even if you receive a blow, but in fact it is a state in which jin has been released.
What is the use of such a thing? To give an easy-to-understand example, Ankei is like a support skill that increases the damage of an attack when it hits without letting you know that you are receiving damage as an kei.
If you think about it in reality, it is a very scary attack. Even if you think that the attack is not very effective, there is definite damage to your body that you do not notice, and when you receive an attack there, the damage increases because your defense power is lowered to a level that you do not notice with Ankei. The more Ankei is received, the more weak points that the person does not notice will continue to increase, and if Ankei is received in the same place, that place will become even more vulnerable and more susceptible to damage.
If you do not know about the existence of Ankei, it is difficult to even take countermeasures.
And the damage is not as noticeable as Ming Jin, but the damage increase Ankine and power-focused Ming-Kine. If you don't have knowledge of this mixed-up exchange, you won't even be able to guess what kind of technique the person you're facing is using. As expected, when it comes to Ankine, you can imagine how to hit and imagine it, but I don't know the details, and since this is a dangerous subject that shouldn't be taught, I won't say any more. I'm sorry, but if you want to know about Penetration-Kine, look elsewhere. There's a lot of stuff like this out there. Among them, the ability to see the truth is also a quality of those who aspire to that path. And as I've said many times before, I'm an aspiring writer, and just because I understand these techniques and mechanisms doesn't guarantee that I can do it. And I've only been learning it for a few days, If I could use such advanced techniques right away, I wouldn't have any trouble.
Also, I'm not interested in competing at the moment.
So even if I master it, I don't know how much I can do.
It's a technique that increases the chances of survival no matter what, so I'll make it to a certain extent, but I don't know how far I can go.
Well, excuse me.
When we'll meet next will depend on my learning and my mood.
Well, I've learned and improved my power, and I'm making progress in outputting my power in many areas.
But there's still a long way to go, and the road is long and deep.
In a way, I'm looking forward to seeing what kind of abyss I'll fall into.
If you learn this, it's best to express it as falling, not rising.
I'm not going to climb up by learning a lot of this. It's not an easy expression to use, but it's natural to fall into the abyss. And because I don't have any natural talent, I'm trying to reach the abyss with the skills and learning I've acquired. If I were creating something like this, it would be impossible without some convenient skill. But I won and prepared it all by myself. I didn't cheat at all like they did. It's a power that makes me feel good and I don't feel guilty at all. The protagonists of the world of creation often borrow something from others and splash out with a smug look on their face. If it were me, I would feel guilty and work secretly. In reality, it's the law of the world that those who don't know the value and meaning of their own strong power will be ruined."
Patten closes the documents spread out on the podium.
"That's all for now."
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