002消力 シャオリー Elimination force Shaoli
海外の皆様日本語の文章の後に英語訳があります
そして奥義だからと長々とは語りません
大半が四千文字程度か以下一つ五分十分もあれば十分
For those of you overseas, there is an English translation after the Japanese text. And because it is a secret, I won't go into detail. Most are around 4,000 characters, and one under 5 minutes will be enough
002消力 シャオリー
「では今回の授業を開始する
消力 シャオリー それは板垣先生刃牙シリーズバキ BAKI に登場する郭海皇 かくかいおう の使う技だ
作中齢146を数える中国武術界トップ
その実力は作中手刀で人間の手首を容易く切り落とし筋骨隆々の男をいとも簡単に投げ飛ばしその一見軽く見えるパンチはコンクリートの壁に一撃で粉砕させる
作中最強キャラ範馬勇次郎でさえ作中初めて攻撃をさける姿を見せている
その範馬勇次郎一撃を交わしその腕につけていたサングラスを載せる余裕を見せた男である
そう聞くはそれにふさわしい146とは思えない肉体を持つと刃牙シリーズを読んでいない方はそう思うだろうがそれは間違いだ
間違いどころかよぼよぼのはげた白髪の顔のの皮がしわくちゃな年相応の老人車イスに乗り現れるシーンすらある
その体は脂肪が抜けた筋肉に皮膚張り付いたような引きしまってはいるが若い中国武闘家と比べれは一見とても戦いすらなりえないほどの貧弱極まりない見かけをしている
その彼の強さは消力 シャオリー 極限の脱力の力にある
そう聞くとただが脱力を極めただけで146の老人が強いわけがない一般論ならそうであるが術理の理屈的にはあり得る話だ
そもそも戦いにおける脱力は何をねらっているがご存じたろうか?
それは少しでも力のロスを減らすことだ
如何に剛力の筋肉を持ったとしても真の力は発揮しにくくなる
何故なら筋肉が多くなるほど攻撃の際その力みにより力の流れは阻害されてしまう
何故なら攻撃の極意は力の流れカをより多く乗せた一撃を放つこと
筋肉が多いほど手や足の攻撃の力の流れるルートは力み膨らみ周辺の力を載せるルートを狭めてしまう
それにより力が阻害されロスなす力が乗らず一直線に力を体内から放てず真の威力でなくなるのだ
そしてその武術のものは脱力と力を放つ力みを答えの出ない命題として強さを探求せざる負えないといえる
そのため大抵の武道は脱力を重視する
当然未熟なうちに脱力して固いものなとたたこうもなら痛い目を見るため状況に応じた
拳の握り必要である
そしてそんな脱力を極めたとはいえそこまでの力が出るが疑問にに思う方に理由を説明しよう
攻撃の理想は力のロスなく手足を放つこと
つまり居合切りのように鞘に刀を収めて一気に抜き放つように人体では実現できないと思われている
鞘の中の力の流れが強制的に一直線となり刀を普通に振るのではありえない高速の一撃と同じだ
そう聞くと武器と人体違い過ぎて参考になるのかと思われる方もいることだろう
そして断言しよう確かにある
その本来人体ではありえないはずの鞘に入れた刀の力の流れを一直線にして鞘の中で引き抜きかかる力重ね強制的に鞘の中で一点に力の重なり加速させる力の加速器のようにするから普通に振るのではありえない高速の一撃を人体で可能とする技が存在する
それが消力 シャオリー なのである
極限の脱力による力の流れを阻害すものを排したその体は全身が力の流れを重ね加速する人体の中の力の加速器ともいえる
そのため一撃をふるえば力をロスする力みかせないため一撃が放ち終わるまで力は一直線に重なり力は体内で加速してく
その一撃は作中ほどかは不明だがまさに人類にあるまじき一撃と予想される
それが全身の攻撃全てで行えるわけだまさに人間加速器
つまり郭海皇 かくかいおう は居合切りの鞘の中の力の加速器としての力を体内に宿しているのだ
さらに攻撃を受けても受けた力を体内から外に逃がすことを阻害する力みもないため抜群の打撃耐性を誇る
結果範馬勇次郎に壁にたたきつられて地上のように多くの力を逃がす消力 シャオリー による力を逃がす理を奪われ奮闘するも無効試合引き分けという方となる
その郭海皇 かくかいおう 146で編み出した範馬勇次郎ですら驚いた究極の武術の奥義はいろんな意味で一見の価値がある興味ある方はここの規定に反して私が起こられない程度に確認してほしい
これは宣伝ではない参考賞資料として提示している
そして146の老人にあそまででするのはひどい老人虐待だというのは彼の高めた技と費やした月日への冒涜である
例えるならその道の100年以上のキャリアがあるものが半分のキャリアもない若造に老人だから手加減したてなどといわれればそれほど長い時を知る本人ならそれを軽んじられたと思いたくもある
それが戦いの道でないなら老人虐待ともとらえられるが本人も殴られけること覚悟の上の真剣勝負いくら146老人とはいえ彼の長年の培った日々を否定するなど同じ戦いに生きるものなら決して軽んじてはいけない
ことは本当にその道に生きているなら重々承知である
彼らは年ルール体調戦う場反則止めるセコンドの指定できない実践の戦いに生きるものだ
そのようなルール無用の力比べに生きるものは読者が老人虐待に思えても全力で戦うことが互いのそれまでの強さの探求を否定しない最低限の強さへの礼儀である」
パタン教壇に広げた資料をとじ
「今回これくらいとしよう」
そして言い忘れたがこれは刃牙シリーズの公式の設定ではない
私が勝手に解釈して仕組みを説明したものむであるため板垣先生サイドの見解の相違があるかもしれない
そのため板垣先生サイドから言われればこの作品がノンフィクションであると私は公言しているのでため潔く良く消すのが最低限のマナーである
そしてこれから先は内容は同じ海外向けの英訳となる
002 Shoryoku Shaori
"Now, let's begin today's lesson. Shoryoku Shaori is a technique used by Kaku Kaiou, who appears in the Baki series Baki by Itagaki Sensei. He is the top of the Chinese martial arts world, and is 146 years old in the story. His skills are such that he can easily cut off a human's wrist with a chopping sword, easily throw a muscular man, and with a punch that looks light, he can pulverize him into a concrete wall with one blow. Even the strongest character in the story, Hanma Yujiro, is shown to avoid an attack for the first time in the story. Hanma Yujiro is the man who dodged a blow and showed the composure to place the sunglasses he was wearing on his arm. If you hear that, those who have not read the Baki series will think that he has a body that is not worthy of being 146 years old, but that is a mistake. There is even a scene where an old man with bald, gray hair and wrinkled skin appears in a wheelchair, looking his age.
His body is toned, with skin stuck to muscles that have lost all fat, but compared to young Chinese martial artists, he looks extremely weak and weak, so weak that he could never fight.
His strength comes from his power of relaxation, or the power of extreme relaxation.
When you hear that, it's true that a 146-year-old man can't be strong just by mastering relaxation in general terms, but in terms of the theory of the technique, it is possible.
But do you know what the purpose of relaxation in a fight is?
It's to reduce the loss of strength even a little. No matter how strong your muscles are, it becomes difficult to exert your true strength. The more muscles you have, the more the flow of power is hindered by the tension when attacking. The secret to attacking is to deliver a blow that carries more of the flow of power. The more muscles you have, the more the route through which the power of the attack flows from your hands and feet becomes tense and bulges, narrowing the route through which the power of the surroundings can be carried. This hinders the power and causes loss, and the power cannot be released in a straight line from within the body, resulting in a loss of true power. And it can be said that those in this martial art have no choice but to explore strength as a proposition that has no answer: relaxation and the tension that releases power. For this reason, most martial arts It is important to relax your fist. Of course, if you relax your fist while you are still inexperienced and try to hit something hard, you will suffer, so you need to clench your fist according to the situation. And for those who wonder why you can exert so much force even if you have mastered relaxing your fist, let me explain why. The ideal attack is to release your arms and legs without losing any force. In other words, it is thought that the human body cannot achieve this, like iaigiri, where you put your sword in the sheath and pull it out in one go. The flow of force inside the sheath is forced to be in a straight line, which is the same as a high-speed strike that would not be possible if you were to swing the sword normally. Hearing this, some may wonder whether it is useful because weapons and the human body are too different. And I can assure you that Yes, there is.
The flow of power of the sword in the sheath, which would normally be impossible in the human body, is made straight, and the force of pulling it out is forced to overlap and accelerate at one point inside the sheath, like a force accelerator, so there is a technique that makes it possible to perform a high-speed strike that would be impossible with a normal swing.
This is Shaoli.
The body, which has been freed of anything that blocks the flow of power by relaxing to the extreme, can be said to be a force accelerator inside the human body, where the flow of power overlaps and accelerates.
Therefore, when a strike is made, the force overlaps in a straight line and accelerates inside the body until the strike is completed, so that there is no loss of power. It is unclear whether the blow will be as strong as in the story, but it is expected to be a blow that is truly unbecoming of humanity.
He can do this with all of his attacks, a true human accelerator.
In other words, Kaku Kaiou has within him the power of an accelerator of the power inside his iaigiri sheath.
Furthermore, even when he is attacked, he boasts outstanding resistance to blows, as he is not tense enough to prevent the power he has received from leaving his body.
As a result, he is slammed into the wall by Hanma Yujiro, and despite his struggle, he is deprived of the power that allows him to release as much power as he would on earth, Shaoli, and the power that allows him to release his power is called a no contest draw.
The formula that Kaku Kaiou came up with in 146 The secrets of the ultimate martial arts that even Uma Yujiro was amazed by are worth seeing in many ways, and if you are interested, please check them out without violating the rules here and waking me up.
This is presented as a reference material, not an advertisement.
And to say that hitting a 146-year-old man to the max is terrible elder abuse is an insult to his improved skills and the years he has spent.
For example, if someone with over 100 years of experience in that field tells a youngster with less than half the experience that they are going easy on him because he is an old man, I would like to think that the person who has known that long would be disrespected.
If that is not the way of fighting, then it can also be called elder abuse. He will be hit, but he will also be prepared to get hit. It's a serious fight. Even if he's an old man, you should never underestimate him for the many years he has cultivated. If you are truly living on that path, you should be well aware of this. They live in a practical fight where there are no rules, no physical conditions, no fouls, no seconds to stop them. Those who live in such a rule-free strength contest, even if the reader thinks it's elder abuse, will fight with all their might, and it is a minimum courtesy to their strength that does not deny each other's pursuit of strength up to that point. "Pattan closes the documents spread out on the podium. "Let's leave it at that for now." And I forgot to mention that this is not the official setting of the Baki series. I have arbitrarily interpreted the mechanism and explained it, so there may be differences of opinion on Itagaki-sensei's side. Therefore, if Itagaki-sensei's side says that this work is non-fiction, I publicly state that it is the minimum courtesy to delete it.
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